By Gloria López-Stafford
This memoir of starting to be up in El Paso within the Forties and Fifties creates a complete urban: the way in which a barrio awakens within the early morning solar, the fun of a unprecedented wasteland snow, the flavor of fruit-flavored raspadas on summer time afternoons, the "money boys" who beg from commuters passing backward and forward to Ju???rez, and the mischief of youngsters pleasing themselves within the streets. L???pez-Stafford exhibits readers El Paso throughout the eyes of Yoya--short for Gloria--the high-spirited narrator, who's 5 years outdated while the e-book begins.Yoya is a survivor. Her younger mom has died, leaving her within the care of her a lot older father, who attempts to supply for his relatives by way of promoting used garments. Her brother Carlos, Padre Luna, and a neighborhood of youngsters and ladies imagine accountability for Yoya, yet just like the inexplicable lack of her mom, unforeseen alterations separate her from her liked barrio. the hunt for su lugar, her position, turns into a look for identification as Gloria seeks to appreciate her a number of houses and households.
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Extra info for A Place in El Paso: A Mexican-American Childhood
I told him she said she knew what my friends and I had been doing. He asked me in a very gentle voice if I had done something I didn't want my mother to know. I said that there wasn't anything. The only bad thing lately we had done was to wrap up some dog caca in some beautiful paper with a bow that Pelón had been given by his aunt and leave it on the doorstep for la Tamalera, Flaco's mother. Padre Luna nodded and said that maybe I felt bad about that. I said that it had not been my idea. We were afraid of her and we wanted to fool her.
No, Padre, she's angry at me. " I bowed my head. He looked at me with a confused look and he was about to say something to me when the screen door opened and López and Palm came into the house. The two old men looked very tired. López staggered and Palm had a blank look on his face. Padre Luna stood up and went to the door. He grabbed López's arm and helped steady him. Then the trio moved toward Palm's big chair. There my father collapsed into the brown chair. I wondered what was going on. " López said to Padre Luna.
Since there was no one at my house, I waited outside on the step. I did this almost every evening if I was the first one in. It had been over a year since I could go into the house by myself. My eyes were glued to the Virginia Street approach. I knew Palm would be coming that way. Soon I saw him. I felt my chest becoming heavy again. I had to control myself because I knew it would upset Palm if he saw me crying. I put my widest, minus-two-teeth smile on my face. He instantly recognized my mascara, mask.